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An easy to grasp workflow makes this a very powerful alternative to Garageband. It features virtual synths, sample trigger pads, a sequencer, a sample editor, a mixer and multiple effects all integrated into a single application. Another powerful all-in-one app is NanoStudio. As with all these apps do not show up at your session without spending some “learning curve” time – a sure recipe for disaster. The app is very easy-to-use and fairly intuitive.

Piano, orchestral strings, Electric bass, drums – acoustic and electronic, are on demand – all with smart settings guaranteed to make you sound like an adept in no time.

#Ireal pro alternative software#

Your voice or an acoustic guitar), and it also records midi info to drive Apple’s plethora of software instruments. It does a fantastic job, considering it’s price, of recording audio (i.e. On the iPad, the obvious 800-pound gorilla is GarageBand. Here is the list of the top five must-have apps for musicians. If you’re an artist trying to promote your music or a touring musician or DJ looking to enhance your sound, there are thousands of apps available to help craft the perfect tone.

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MIDI 2.Whether you’re a professional musician or budding artist, there is no shortage of options of IOS or Android apps to download. Sequencing learning modules: nonlinear learning pathways Training à la “Building Blocks” (Audible Genius) LinnStrument-like controller with chromatic rows in fourths “Pianoroll” and TUBS as alternatives to staff notation

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Tutorial mode (as “crutch”) to Open World and Free Jazz with automatic shifting of chords to fit what’s playedĬybersecurity on access, confidentiality, integrityįleeting moment, disappearing content, modular rig, no posterity Non-Jazz approaches, including xenharmonic improvising (EDO or not)Ĭlassifying sounds/instruments, functionally (from drums/rhythm and chords/pads/keys and bass and lead to…)

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(While listening to Figma interview on Decoder)įrom top notes to full melody to ornementation, à la Irish traditional musicĭiverse répertoire including “World Music” Identifying ii-V-I and other chord patternsįull scale database with Forte numbers and chord/scale compatibilityĭesign insight: from paper prototype to fully-produced track with lots of improv in the middle Moving from diatonic to ii-V-I progressions Visualization track sending to separate monitor, allowing for recording Metadata per “song”, track, with versioning and Linked Open Data Identifying riffs, motifs, patterns, quotes… with repetition and transpositionĮxercise/drill with numbered patterns (in fourths, minor thirds, chromatically, in whole steps… modulated across scales)ĭrum patterns with fills, suggestions, responses, following established pattern (à la Logic Pro), sidechaining Generating chord progressions, with voice leadingĭynamic scale quantizer based on scale/chord compatibilityĭiverse chord voicing, including some based on basic acousticsĮxpressive instruments and voice-like expression Semi-generative basslines (from elaborate arpeggiator to continuous learning) Identify chord tones, passing tones, off-scale with both colour and shapeĬhord/scale visibility along the way: making available, taking away the “crutch” at the appropriate time Some implementation details, along the way (to be classified in order of feasability later)… Necessary AI hype: like musicians playing with you, responding to what you play, proposing new ideas, adapting as you go along, developing a bond, inspiring you, occasionally coaching you, understanding what you mean Norman’s Law of EdTech convergence: any sufficiently elaborate tool will take on properties of a DAW Kludgy workaround (Design Thinking’s skateboard): Sync through MIDI? Ultimate Jazz Improv solution: from training to performance and recording, even analysis